悉尼嘉年华

简介：

探索加里·科尔曼作为童星的成名历程、他在聚光灯下的挣扎、财务困境、抑郁症以及他 42 岁时悲惨去世的争议，让人们深入了解他的私人世界。

简介：

1919年，巴黎和会提议将阜姆归还克罗地亚。意大利诗人、贵族兼军官加布里埃尔·邓南遮闻讯勃然大怒，宣布建立“意大利卡尔纳罗摄政领”。这段长达16个月的占领，是史上最离奇的统治之一。导演贝济诺维奇通过采访搜集民间对这段历史的零散记忆，更邀请普通市民以自己的方式表演、体验邓南遮占领阜姆的时刻，从而反思法西斯主义的危害。本片获得第54届鹿特丹国际电影节最高荣誉金虎奖及费比西影评人奖。

简介：

一支国际科学家团队正在探索南极冰盖下3600英尺深处的一个冰下湖，以揭示地球动态历史中隐藏的真相。在与冰雪和狂风的猛烈对抗中，他们思考着我们与自然——以及彼此之间的关系——将如何影响人类的未来，以及在这个快速变化的星球上所有生命的未来。

简介：

　　导演认识了两位“朋友”。他与他们之间的交往构成了这部片子。开始，他并没有一个明确的计划要制作一部纪录片，但随着时间的推移，他开始有目的和他们交“朋友”。“朋友”们奇迹般地允许导演进入他们的生活，他们吸毒也贩毒的生活。
　　纪录片的制作者和被拍者之间到底应该是一种什么样的关系，这部影片给出了它的解释。
　　The director himself (who’s also a journalist) encountered in an interview a small group of people who, despite all odds, willingly invite him into their world of drug use and peddling. That’s how “Using” was born.
　　What exactly is the relationship between a filmmaker and those being portrayed, “Using” has the answer.

简介：

放松情报: https://thetv.jp/program/0000965516/                                                                      　　时间表：                                                                      　　2019.10.18 EP1  【King&Prince】所谓回应期待这件事                                                                      　　2019.10.25 EP2  【King&Prince】偶像的遗传基因                                                                      　　2019.11.01 EP3  【King&Prince】我们的航海                                                                      　　2019.11.08 EP4  【屋良朝幸】屋良朝幸~孤高表演者的目标"                                                                      　　2019.11.15 EP5  【屋良朝幸】孤高表演者的目标                                                                      　　2019.11.22 EP6  【Travis Japan×屋良朝幸】孤高表演者的目标                                                                      　　2019.11.29 EP7  【美 少年】学习娱乐的LA远征                                                                      　　2019.12.06 EP8  【美 少年】学习娱乐的LA远征                                                                      　　2019.12.13 EP9  【SixTONES】6个原石                                                                      　　2019.12.20 EP10【SixTONES】初次亮相的浪潮                                                                      　　2020.01.10 EP11 【SixTONES】流逝的时间                                                                      　　2020.01.17 EP12 【SixTONES】道标                                                                      　　2020.01.24 EP13 【King&Prince】我们的SHOW must go on                                                                      　　2020.01.31 EP14 【HiHi Jets】                                                                      　　2020.02.07 EP15 【HiHi Jets】                                                                      　　2020.02.14 EP16 【Kis-My-Ft2】我们的觉悟                                                                      　　2020.02.21 EP17 【Kis-My-Ft2】未知的舞台                                                                      　　2020.02.28 EP18 【Kis-My-Ft2】走向未来                                                                      　　2020.03.06 EP19 【Kis-My-Ft2】七彩的光芒                                                                      　　2020.03.13 EP20 【堂本光一】                                                                      　　2020.03.20 EP21 【堂本光一】

简介：

乡村音乐明星科迪·约翰逊从德克萨斯州乡村尘土飞扬的牛仔竞技场走向美国最大的舞台。

简介：

简介：

　　第一季的《远古外星人》带领我们一起探索了数千年前智慧生命莅临地球的问题，提出了人类历史进程是否受到外星人的影响等问题。在第一季中，我们欣赏了远古洞穴壁画中奇异的生物，看到了秘鲁的飞机跑道遗迹，领略了印第安文字中所描述的“神的飞行器”这些反常的考古文物。
　　如果地球上的生命起源于外星球，远古外星人到访过地球，他们留下了哪些遗产，又留下了哪些线索，以证明他们曾在此驻足停留？ 远古外星人他们是谁，又怀揣着什么目的而来？
　　Daniken制作，History Channel电视台发行的《远古外星人》开始了第二季全新的探险，继续带着各位剧迷寻找并评估外星人降临地球的证据。从亚洲到非洲，从欧洲再到南美洲，让我们一起见证历史吧。
　　历史频道（英文：The History Channel）是美国一个专门播放历史相关纪录片的电视频道，于全球各地设立多个版本，部份更会播放人物史、军事历史、工程发明等电视节目。历史频道成立于1995年1月1日，由“Arts & Entertainment”联营公司（Hearst、美国广播公司、全国广播公司）和天空（Sky）新闻集团所创立和营运[1]；及后扩展至世界各地，包括英国、亚太区等。

简介：

保罗·默顿 (Paul Murton) 开始体验岛屿生活。

简介：

简介：

从古代凌迟处死、绞刑、分尸等死刑，到现代科学时代的注射死刑，我们提出一个问题：最可怕的罪行是否应该受到最可怕的惩罚？

简介：

　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.